Workshop rough run-through with “marking” (not singing fully), first theatric role, i.e., a work in progress. It’s fun to play an 1850’s French Countess who faints when her dresses get ruined!
Can’t help but love a Steinway grand. Unless there’s a Bosendorfer next door.
Quarterly singing assignment for NYC Performance Careers Center.
Heavy in the D throughout, slow and somber, 5/4 timing, plays with space and voicings.
Inspired by the D minor, but playful and fun. Exact opposite attitude. Lots of energy. 3/4 time.
In which we explore the interaction of personality and politics and try to quantify how big an impact luck has on one’s life
In which we unravel the enigmatic swing voter and deconstruct perceptions of national corruption
In which we tackle obstacles to geographic mobility and share ideas on acquiring good habits
In which we push back against the narrative that everything is terrible and grapple with how we want to be remembered
In which we debate the value of innovation, probe the thermodynamic limits of the economy, and cast aside emotional consequences
In which we seek out solutions to low voter turnout, investigate correlations between prosperity and depression, and assess the merits of home ownership
In which we pinpoint causes of market failures and discuss how these breakdowns affect society
In which we consider claims of electoral rigging and highlight the benefits of journaling
In which we share our thoughts on the 2016 US presidential election with a focus on empathy and active listening
In which we assess the merits of the Electoral College, present our post-election behavioral shifts, and suggest people worth knowing more about